I could not be more pleased with the coat. It's exactly what I was after. The cloth is a lovely golden colour, and soft without being either too delicate or too heavy. The herringbone pattern is subtle, but just noticeable enough to add a bit of interest.
It fits perfectly, although this is shown off best when I'm wearing a jacket underneath, as I asked to have it cut to wear over a suit. This means if I wear it with only a jumper, it's very slightly too large in the shoulders, but there's no real way to avoid that, and it's the kind of coat that looks fine without being perfectly fitted anyway. Besides, I'm happy to mostly wear it with a jacket.
The thing I like about it most, and which also seems to get the most attention, is the length. Almost no modern coats go below the knees, but this one comes right down to the top of my calves, which is exactly what is needed for a polo coat. I think such a relatively heavy garment, especially as it's double-breasted, would look unbalanced if it were much shorter. In any case, it would fail to keep my knees warm when standing on the edges of a freezing cold polo pitch.
We went for hand-stitching around the lapels, and all down the front edge of the coat. This is more than just a style feature as Cad and the Dandy actually recommended it to help hold the heavy material together and make the coat more durable. I hadn't really considered that as a factor, and wouldn't otherwise have gone for the it as I'm not particularly bothered by visible stitching. However, it's good to get that sort of advice and, in the end, I think it looks really nice anyway.